1-6, are said to be reminiscent of Haydn and Mozart. 59 quartets, which will be performed in Ann Arbor as part of a complete Beethoven string quartet cycle by the Takács Quartet over six concerts (three weekends) in the 2016-17 season.īeethoven’s quartets are divided into three periods: early, middle, and late. He added a new depth, variation, and complexity. Beethoven’s string quartets are often regarded as “characteristically unique.” “They are not for you, but for a later age!” So wrote Ludwig van Beethoven about his Op. While his predecessors like Mozart and Haydn wrote incredible string quartets as well, Beethoven had something new and exciting to offer in his string quartets. For audience members, Beethoven’s string quartets are a keyhole to Beethoven’s genius during some of his most vulnerable times.īeethoven took the string quartet to the next level, a level, perhaps, too high for many people of his time. That’s because they involve only four voices, each with its own personality. Take a listen and you’ll see that his string quartets are easily the most intimate of his works. Doesn’t it get boring? After four years of wondering, I’ve finally discovered that the answer to that question is “no”, and here’s why.īeethoven was arguably the most critical figure in creating the movement from the classical era to the romantic era. How can they play Beethoven’s music all the time?, I’d think to myself. At U-M, my (brass and woodwind) colleagues and I strayed away from playing music of Beethoven, Haydn and Mozart in our chamber groups, while other (string) chamber groups played only that music. As a French horn performance major at the University of Michigan, I’ve been immersed in chamber music of all stripes, from classical duos to contemporary dectets.
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